Sunday, 23 March 2014

Self Directed Project 2014...'The Bunker'...

This drawing is part of my self directed project looking at the 'life of Exo'.

This place is part of the estate I've been looking at where Exo might live. The building looks like a bunker from the 2nd world war with a big metal fence barricading the way in and the yellow bin reminded me of a tank. Grey blocks of cement tower upwards towards a stormy sky. Patriotic flags move slowly in the wind, suspended from the balcony where every now and then a commander appears with his bulldog to overlook all that lays before him. The metal spiked fence and no entry signs keep you out.

    'Bunker',   Watercolour, Pen and Ink on Fabriano Paper,  100cm x 75cm, March 2014. 

                     Detail from 'Bunker'. 

    Detail from 'Bunker'. 


The next set of images from my sketch books are my thoughts on what Exo might think of the country he lives in. 
More and more we see riots, mass unemployment, benefit cheating and capping, lack of social housing, social food stores, rough sleepers, dereliction, soup kitchens, street beggers, over filled hostels, over population, the list goes on. 

Watercolour and ink, 60cm x 40cm, April 2014. 

Watercolour and ink, 60cm x 40cm, April 2014.

Watercolour and ink, 60cm x 40cm, April 2014. 

Watercolour and ink, 60cm x 40cm, April 2014. 

Watercolour and ink, 60cm x 40cm, april 2014. 

Wednesday, 19 March 2014

A Quick look At...Mona Hatoum....

Lebanon born artist Mona Hatoum installs pieces that grab the attention of viewers and holds it.
The varied sculptural works use the spaces they are installed in to finalise what they are trying to show. The space therefore becomes part of the work as the work becomes part of the space.
Viewers are invited to come to their own conclusions as to whats being said, physically, emotionally and sensorially.
Personally I find the works intriguing in their simplicity and the visual effects achieved by the simple movement of something within the pieces.
The structural piece "Light Works" 1992 at the Centre Pompidou, Paris, was a simplistic set of wire lockers placed in the centre of the room but the use of a moving light bulb, raising from the floor to the ceiling and down again was what made the piece come alive. The shadows created by the movement of the light gave it an eerie presence and a feeling of claustrophobia as in a prison cell at night and was heightened by the monotone appearance of the surrounding space.
The drifting shadows made the walls come to life and the silence completed the illusion of being trapped or enclosed maybe echoing back to her childhood in lebanon.
What interests me the most about this work is the way the artist has used the whole room to create a kinetic type of installation that moves as its being watched, adding a totally different feel and experience for the viewer. The shadows give an eerie, cold environment for the viewers to immerse themselves into and this makes them become part of the work as their own shadows also move with the light.
This piece is really simple in design and installation but very complex when viewed.

    Light Works, 1992, Centre pompidou, paris. 

Monday, 17 March 2014

Major Project 2014...My book of images, "Wander, Record"



Do you ever notice how people walk along the streets looking down? Eyes fixed to the floor, or phone, or even their i-pad.
I walk around looking up.
My inspiration comes from all around me as I walk. 

"WANDER...RECORD..." is an ongoing project and is a collection of drawings and notes concentrated on scenes collected as I wander. The drawings are made on the pages of a journal, but whereas sketch books record quick drawings and ideas, I wanted this book to have a finished piece on each page and the fact they are all in a book is also a personal challenge as no mistakes can be made. 

6/3/14......High Street....10.18am
brown sleeping bag, black hair, wet, mumbling, change please, dirty nails, cup, bark, never looks up, slam, phone, down here trev, blonde hair, fast walk, gold coat, big earrings, limp, clip, clip, clip, shout, three, red coats, white shoes, yellow shoes, fifty pence, laugh, bald, dark shades, coat with blue stitching across the back, big bag, stares at me, mcdonalds, shady eyes, looks at floor, massive teeth, boost, rubbish dropped on floor, eats with mouth open, singing, pedals turn, long grey hair, dog, cap, yellow tracksuit bottoms, two kids run, scream, smack, cry, thomas tank engine bag, his vis coat, white hat, huge stomach, mouthfull, tea cup, loud voice, phone box, staring at me, give that camera to me if you want, piss off. 

















11/3/14... The alleyway stinks. it reeks. the smell floats through the air in bursts of steam forcing its way into my nostrils. The taste stains the back of my throat. Grease oozes from the small holes in the wheelie bins. It drips down onto the damp cobbles and grows into white mounds of leftover human consumption ready for the rats to gorge on once I've gone. Their black twitchy noses poke from the dark walls as they stare at me and wait for their chance to scurry amongst the shadows. Large machines click and hum above my head, extracting stench filled oxygen from the row of overheated food-house kitchens. A silhouette in a darkened doorway, 'Hey, why you taking photo's out here, nothing here". The door slams shut as I raise my camera. A shout echoes inside. Time to leave....







    24/3/14...The Lanes...2.15pm...
 Hum, Constant drone from the pub extractor fan, stale beer aroma gushes through, wind blows           constantly along the old house fronts, sun shines, highlights a Greggs cup on the step of a building, 1873, 5A, still occupied, double yellows lead to the cathedral, huge, grey, majestic, drills pound the floor, cranes lift the blocks, the lanes are tight, claustrophobic but comforting, vans, cars, constant and loud, dust drifts around, litter sticks to the damp floor, 15, to let, stickers plastered to the car park sign, half peeled, graffiti, scribbled tags, business suit strolls past, bright yellow high vis jackets, windscreen full of newspapers, loud voices, shopping bag splits open, bong, bong.




    29/3/14...Car park roof...3.25pm
   All life is here, below me, looking down.
   The noise is distant and chaotic.
   It builds amongst the buildings.
   Movement in the office window, flicker of computers, filled with bored clockwatchers.
   The council building looks old, grey, full of issues.
   The trees get further away each year. The green disappears.
   We grow, we build, we multiply.
   The space doesn’t.


    3/4/14...E-State...2.15pm
Along the blue fence, chewing gum, through the broken gap, smashed bottle, under the concrete       walkway, tags, along the line of concrete posts, dog shit, into the stairwell, piss, up two flights, bin bag, along the front doors, smashed bmx, who you after mate, keep walking, down the stairwell, oi mate, through the fence gap, don't look back...

              1/4/14...High Street...3.10pm...
              The shops line up, waiting to be emptied, to let, for sale, closing today, final sale,              
              The shells remain, empty, not let, not sold, closed today.












                                                                     .GREEN     
       GREEN SPACE
       GREEN SPACE
                      SPACE
BUILDING SPACE
BUILDING SPACE
               BUILDING.




The streets hold my interest every time I wander them. I'm slowly being drawn towards the structures and buildings that most people don't even notice but to me they are intriguing. Who designed them? What goes on inside them? How old are they?
The actual outline of the buildings has become my main focus and the angles, perspective and size is starting to feature strongly in my work coupled with whatever happens as I make my way through Leicester. 
As the book grows I take elements from it and make new drawings on larger single sheets of paper. 

             Untitled, Wall paint and pen on Fabriano paper, 80cm x 70 cm, March 2014.  

This drawing is the basics of a really complicated alleyway behind some restaurants in the centre of Leicester. 
Its easy to miss, tiny small and even on a sunny day its still really dark and dingy.
The idea was to take everything away and be left with the skeleton of the scene, almost an 
x-ray of what I was looking at, cut out the crap, no detail at all, just pure lines of drawing. 


         Untitled, wall paint and pen on fabriano paper, 80cm x 80cm, March 2014.

This drawing is the skylines of a wander collected over a 30 minute period. All the buildings are blocks of flats, different sizes and shapes just like the people inside them. 


           Untitled, wall paint and gloss on Fabriano paper, 80cm x 60cm, March 2014. 

This drawing captures the city at night. 
Just the blurred, shimmering lights of the streets, the buildings and the movement of people and vehicles can be seen through the rain.
Its drawn in white household paint on top of black wall paint and is not a painting. 



















Major Project Painting/Drawing...

This piece is something I've been looking at in my drawing/painting project for 2014.
Working from my line drawings I've started to take confused, detailed, busy images and reduce them to their minimum to create works which show the environment but in a different way. I want to make the paintings on a flat perspective, using the shapes, forms and white shaded areas to add interest but holding back on the detail.

    'Alley' emulsion paint on board, 120cm x 90cm. March 2014.

Drawing Project 2014...installation Piece...

I've become more and more interested in installation pieces and decided to include a piece for my major project continuing on from the book of drawings around town.
This piece is all about the environment around us and brings that environment and elements of it into the exhibition space. I wanted to take the original drawing back to its basic elements. Straight lines, no detail and very minimal as opposed to the actual scene I was recording which was very busy and complicated. I didn't want the work to be obvious when viewed and I want the piece to raise questions of what it actually is and what it means but, once realised, to then raise questions of whats happening around us through over development and the fact that we build on every available piece of land.

I like the idea of looking through a window onto both the present and the past.

The use of a lamp in the piece makes it quite hard to photograph and it really needs to be seen in the space.

 'Destruction, Renewal.'  
Corrugated Plastic, wood, acetate, technical pen, nails, cement, light bulb and cable.  100cm x 90cm.  March 2014. 

    Detail of 'Destruction, Renewal'.

                            Detail of 'Destruction, Renewal'. 


Friday, 28 February 2014

History of art...

In Leila's art history group we looked at the Nazi's and how the failed artist Hitler stole art from Europe and displayed it in his 'Degenerates' exhibition to ridicule the artists. It was all very interesting and it kind of ties in with the set of images I was making for a set of cards....

'Alternative careers that could've changed history..No.1...Adolf the catalogue model'...




.

Tuesday, 25 February 2014

Francis Bacon...


Through my drawing project I've been looking at various artists who concentrate their works on the nature of people and one that really stood out to me is Francis Bacon.
His figurative paintings are worryingly brilliant and show scenes of terror, discomfort and what can only be described as torture, both mental and physical.
To understand his works we need to look at his life and what drove him to make the paintings he did.
He was a very complicated individual, constantly battling with his addiction to gambling, alcoholism and the publics un-accepting view towards his homosexuality. But as sad as all this seems it all worked in his favour towards making his paintings.
Born in Dublin in 1909 his family moved to London in 1914 and by 1949 he'd started his series of 'Screaming Popes' paintings and in 1954 he represented Great Britain at the Venice Biannale.
His three paintings of Lucien Freud were the most expensive paintings ever sold and fetched an amazing $142 Million Dollars to the sister of Quatar's Emir.

'Three Studies of Lucien Freud', 1969. 

Bacons paintings are so interesting and intriguing to me. 
The confusion of each face or body, the vivid background colours and the dark areas interrupted by slashes of light make them visually eye-catching to any observer. 

'Study after Velazquez's Portrait of Pope Innocent X', 1951. 


One of his most famous paintings is a reworking of another artists work. The original painting by Velazquez shows a powerful figure sitting in full glorious religious clothing staring straight at the observer. The painting shows the pope as people saw him, in control and strong.
'study after Velazquez's Portrait of Pope Innocent X' was painted by Bacon in 1951 and shows the pope sitting in the centre of the canvas on a large golden coloured throne which is the first thing we notice when first seeing the image. The throne seems more like a cage or trap, keeping the pope imprisoned with its hard thick yellow stripes. It reminds us of Warhol's 'Little Yellow Chair' a painting showing a solitary electric chair in a prison. The pope could almost be tied to it at the wrists and close inspection reveals his tightly gripped hands clutching the chairs frame as if the electricity is already flowing.
His ghostly figure wears the same purple and white outfit but we see through the clothing to the backdrop, more of a disappearing apparition than a person.
The backdrop itself is scrawled onto the canvas in downward strips of dark greys and blacks that appear to have been applied in a rage or through anger like Bacon was attacking the canvas and the straight lines could be prison bars or more likely a set of dark closed curtains stopping the daylight coming in or denying anyone looking at the pope.
The face is screaming, terror filled and tortured, screaming something at us or at something he's witnessing? The black deep mouth hangs wide open with purple lips and is almost skeletal like. The eyes are purple smears with dark black circles directly underneath and he has the look of someone recently deceased.
In religious ceremonies the priest or pope can sometimes splash holy water onto someone as a blessing but in this painting we see the same thing has happened only the holy water is actually blood splatters across the foreground of the image. These could be a sign of the artists hatred of what the figure symbolises or a symbol of the loss of blood from religion.

This painting is the total opposite of what we see in Velazquez's painting. This figure is strong in a different way and it frightens us with whats happening to it and what it means. Why is he screaming and why is he disappearing? Is it the end of religion or a comment from Bacon on the church and homosexuality?
Like the man himself we will never fully understand what the painting is saying but fully and deeply understood or not these paintings are amazing to view and will be a great inspiration to many artists in the future.
'The man that paints those dreadful pictures' A quote by Margaret Thatcher, died in madrid in 1992 of cardiac arrest after an asthma attack.